Product Description

As seen on the Sundance Channel

"Deliciously written" —TV GUIDE

"Big and powerful, a corker" —LOS ANGELES TIMES

"Charming and complex and lovely" —THE NEW YORK TIMES

Showered with awards and critical acclaim, this darkly comic Canadian series follows the fortunes of a dysfunctional Shakespearean theatre troupe, exposing the high drama, scorching battles, and electrifying thrills that happen behind the scenes.

Paul Gross (Due South) stars as Geoffrey Tennant, the passionate but unstable artistic director of the New Burbage Theatre Festival. Haunted by the ghost of his predecessor (Stephen Ouimette), he struggles to realize his creative vision while handling touchy actors, a jittery general manager (Mark McKinney), a pretentious guest director (Don McKellar) and his own tempestuous romance with the festival's leading lady (Martha Burns). The backstage bedlam mirrors the onstage angst as Geoffrey directs three of Shakespeare's masterpieces -- Hamlet, Macbeth and King Lear -- one in each season. Guest stars include Rachel McAdams (Wedding Crashers), Colm Feore (Chicago), Sarah Polley (Go, The Sweet Hereafter), and renowned Stratford Festival actor William Hutt in one of his last performances.

DVD SPECIAL FEATURES INCLUDE cast interviews, bloopers, deleted and extended scenes, photo galleries, production notes, trailers and song lyrics. Plus exclusive bonus disc: "A Look Behind the Scenes" featurette, more cast and crew interviews, and on-set footage.

Product Details

• Amazon Sales Rank: #5947 in DVD
• Brand: Acorn
• Released on: 2008-02-05
• Rating: NR (Not Rated)
• Aspect ratio: 1.66:1
• Number of discs: 7
• Formats: Box set, Color, DVD, NTSC, Widescreen
• Original language: English
• Dimensions: 1.30 pounds
• Running time: 840 minutes

San Francisco Chronicle
An exceptionally well crafted, beautifully nuanced and wonderfully smart series.

The New York Times
Charming and complex and lovely.

Newsday, July 2007
Funny, tragic and exhilarating, "Slings" memorably celebrates the nobility of human dreams and the intoxicating impact of live theater.

Customer Reviews

It May Seem Sophisticated, And It Is, But It's Darn Funny Too!
If anyone had told me several years ago that one of my favorite programs on television would turn out to be a Canadian import about a Shakespearean theater troupe, I would have had my doubts. But Season 1 of "Slings and Arrows" beguiled me. So droll and sophisticated, but with moments of sheer slapstick, I was absolutely enchanted. Detailing the struggles of a failing company amidst the changing artistic climate, "Slings" presented a colorful band of misfits that formed the unlikeliest of families. The writing was so smart, so funny, and the performances spot on--including Paul Gross and Rachel McAdams (two of the more familiar actors for American audiences). It ended in six episodes and I wistfully said good-bye to a near brilliant show. I had no idea there was more to come.

So I was delighted when I heard Season 2 and even Season 3 were on the way. But I was also doubtful. Could they really mine the same material and come up a winner? To my mind, they did that and even more.

Season 2 contained less back story, so it dealt more specifically with the inner struggle of producing theatrical shows. The comic misadventures involved in staging a cursed production of "Macbeth" was definitely the highpoint. It might have been the funniest thing on TV that season, seriously. One subplot about an experimental advertising campaign to lure new traffic to the theater festival is perfection. As someone who has been a season subscriber in the LA theater scene for over ten years, this was particularly hysterical to me--how much truth there was. Season 3 (which added the always appreciated Sarah Polley to the cast) details how the theater adjusts to success. Its humor is dosed with many moments of melancholy. There is such sadness, yet hope, as the characters begin to make some life altering decisions--it's a fitting emotional tribute to a sublimely funny show.

But, trust me, you don't have to be a theater-goer or a Shakespeare enthusiast to enjoy this program. But you do have to enjoy smart, sophisticated entertainment with top notch performances. I have shown this series to a couple of friends who would NEVER have sampled it on their own. They were surprised how identifiable it was and how funny!!! A great change of pace from much of TV, check this one out! KGHarris, 12/07.

I cannot recommend this highly enough
So few people I know are aware of this wonderful show's existence. My hope is that collecting all three seasons in a single DVD box set could lead to a whole new group of viewers. What impressed me about the series is the way it provided absolutely first-rate popular entertainment in a relatively highbrow context. It is funny. There are romantic another other kinds of relationships that we as viewers come to care deeply about. And we are introduced to a host of fascinating characters. But at the same time there is some remarkably insightful discussion of Shakespeare.

You don't have to love Shakespeare to love this series, but you'll love it all the more if you do. If you don't own copies of HAMLET, MCBETH, and KING LEAR, I would strongly encourage you to order copies of each along with this box set. I reread each play as a result of seeing SLINGS AND ARROWS. I suspect that a substantial number of viewers of the show have done so as well.

The stories revolve around a moderately successful theater festival in a fictitious Canadian town. When Oliver Welles, the revered head of the festival, dies unexpectedly Geoffrey Tennant, a formerly celebrated actor who made his mark there, is asked to return as director. Paul Gross (perhaps best known to those in the United States as the Mounty assigned to Chicago in the fun series DUE SOUTH) absolutely steals the series as Tennant. I've seen a great deal of his work and this is hands down the best thing he has done. Although he steals the show, his real life wife Martha Burns costars as the resident lead actress of the troupe and the former lover of Tennant. The most surprising performance on the show might be that of Mark McKinney, formerly of KIDS IN THE HALL, who does a great job as the festival's business director. The cast is bolstered by a number of superb supporting characters as well as several excellent guest stars. Rachel McAdams was great on the show until Hollywood beckoned and she left the series after Season One. Geraint Wyn Davies, who many will remember from the vampire TV series FOREVER KNIGHT, excelled in Season Two as famous Shakespearean recruited to play McBeth. Sarah Polley (whose father was a regular on the series) is Season Three's Cordelia. Celebrated Canadian Shakespearean actor William Hutt turns in an astonishing performance as Season Three's Lear. But the funniest guest role is hands down that by Colm Feore, who plays a charlatan PR firm director.

This is just great TV and if you haven't seen this, you must. This is the best completely unknown television series of the past several years. I've pushed other little watched series on friends, like FRIDAY NIGHT LIGHTS, but that wonderful series has several times the audience that SLINGS AND ARROWS had. All you need to do to love it is to watch it.

Superb and funny
One of the most original, brilliant comedy series about theatre ever made, if not THE best. Anyone working within a nonprofit arts organization will recognize everything and everyone involved. It's pitch perfect and very funny. And one lovely thing about it -- it isn't mean spirited, not once.